Create a vertical 9:21 photorealistic cinematic environmental photograph of a remote rolling countryside during an exceptionally dense, cold fog. The camera is positioned low in a wet grassy field, looking across dark green pasture toward a vast wall of blue-gray storm clouds. The immediate foreground is filled with naturally messy tall grass, thin seed stalks, weeds and moisture-darkened vegetation, with realistic imperfections and uneven growth.The middle ground consists of gently sloping green hills disappearing into layers of thick atmospheric mist. Tiny distant sheep are scattered across the pasture, barely distinguishable through the haze. A few isolated dark trees stand on the hills, particularly toward the right side. Several extremely distant wind turbines are visible as thin, ghostlike silhouettes through the fog, their structures fading almost completely into the atmosphere.Floating impossibly high within the enormous storm clouds is a gigantic supernatural white whale inspired by the White Whale of Re:Zero. It is absolutely colossal—large enough that its scale dwarfs the entire landscape below. The creature is positioned horizontally across the upper-middle portion of the image, its enormous whale-like body extending across the mist. Its huge rounded head, sweeping fins, broad body and distant tail are only partially distinguishable because dense fog continuously conceals portions of its anatomy.The White Whale must NOT look like a normal whale flying through a clear sky. It should feel like a legendary supernatural creature emerging from another world: enormous pale gray-white organic skin, subtle irregular texture, faint anatomical contours, immense curved fins, and a ghostly presence. Most of the creature should remain obscured. Some sections of its body should disappear completely into cloud banks, while other sections appear as enormous soft silhouettes. Its edges should dissolve naturally into the fog.Near the upper-center area above the creature is a mysterious faint pink-magenta supernatural glow, partially hidden by cloud. The glow forms a soft circular halo with a subtle vertical luminous shape rising from its center. It is extremely diffused and weak, illuminating only a small amount of surrounding mist. It must feel atmospheric and mysterious rather than like neon science-fiction lighting.The sky dominates the composition: enormous layered storm clouds, rolling fog, darker cloud masses mixed with lighter translucent mist, subtle gradients of slate blue, desaturated cyan-gray and charcoal. Dense fog moves horizontally across the landscape, creating several distinct depth layers and strong atmospheric perspective.The visual priority is scale and concealment. The White Whale should initially be difficult to recognize because it is so deeply embedded within the storm. The viewer should gradually realize that the enormous shadow inside the clouds is a gigantic whale. It should feel impossibly large, distant, silent and mysterious rather than aggressive or action-oriented.Photographic realism, natural atmospheric physics, realistic volumetric fog, physically believable cloud scattering, subtle moisture haze, realistic distant objects, natural grass textures, restrained cinematic color grading, deep blue-gray shadows, muted dark greens, soft highlights, slight film grain, mild lens softness, imperfect exposure, realistic dynamic range, documentary environmental photography aesthetic, dark fantasy realism.No spaceship, no UFO, no futuristic aircraft, no mechanical components, no city, no buildings, no people, no visible characters, no dramatic lightning, no explosions, no excessive magical particles, no glowing eyes, no bright neon effects, no clean CGI appearance, no glossy fantasy illustration, no cartoon rendering, no sharp artificial silhouette, no oversaturated colors.The final image should look like an eerie real photograph accidentally capturing the legendary White Whale hidden inside an enormous storm over a quiet rural landscape. Subtle, mysterious, atmospheric, unsettling and overwhelmingly vast.
